Drawing direct painting from classical painting differs a lot full article. Direct painting must be done to the point where the black,Drawing procedure of direct-painting Articles white, and gray layout and overall color effect can be immediately reflected, then make it gradually deeper. Direct painting is not complete without the following:
One, sketch Use charcoal as an outline to the object on the canvas. Then, they use turpentine and ultramarine to finish the process. Brown is an inter-mediate color. It is therefore easy to coordinate it with any other colour. Colours such as ultramarine and dark red (some artists may also use brown, green or dark blue) can leave a few broken lines on the finished work and create a color effect.
Two, expand the tone. Note: the tone needs to be a touch stronger than your final contrast. At this point, it is best to avoid drawing the color too thickly. The entire tone should be a little brighter than the volume. Using a constant representation, different shades of grey will naturally appear to create the “fire-like” hue relationships.
The third step is to use thick pigments for deeper depictions. After applying the turpentine (which is a little volatile), apply the pigments gradually onto the screen. If possible, you should try to extend your operating time. This must be done step by step and with a well thought out plan. If you paint the hand tomorrow and the face today, do not change the colors in any other place. To remove the thick color in areas unfinished within a single day, use a painting knife. Continue painting the surface until it is almost dry. This will prevent oil from absorbing. Oil painting is best done with the thicker, lighter colors. The darker colors are usually painted thinner.
Four, the overall adjustments Oil paintings will have rich details after several finishes. Some details were beyond the predetermined specifications. Remove all unnecessary information, and then adjust the overall relationships to give the entire screen a real-life situation.